Rugs from Akbar's reign (1556-1605) used cotton warp and wool pile and color scheme had multiple shades of blues, greens, and other colors on a red base. The patterns were an adaptation of Persian style but latter modified to Indian tastes.
Carpets of Jahangir's reign (1605-27) were more refined. Materials like silk and Pashmina were used that allowed greater number of knots to be incorporated. Patterns resembled miniature paintings. Subtle gradations and shadings with yarns were themselves artistic. The patterns were a reflection of manuscript paintings. They were technically refined in both design and construction. The carpets had scrolling vines, flowering plants, and more naturalistic animals in pictorial or overall pattern.
During Shahjahan's reign (1628-58) art of carpets had reached new heights warps and wefts of fine silk yarns allowed as many as 2,000 knots per square inch. Silk or pashmina piles gave the carpets velvet like texture. Yarn shading was as sophisticated as in Jahangir's reign. Flowers were now the primary elements of design.
Though during the reign of Auranzeb (1658 onwards), all crafts saw a downfall of almost all crafts, carpet craft sustained. Reason may be that they were required for all religious purposes. The patterns were primarily floral all over with at times geometric or calligraphic trims. |